It's all in the mix for Dubsalon - over the years, you keep picking up bits and pieces from all sorts of sources that come your way and keep working them into the magic that is your own personality. An active musician on guitar in the 90s, a sound-engineer and producer of bands from all sorts of genres in his own studio during the 2000s and nowadays a dub wizard who knows the tricks of the trade - Dubsalon has experienced music from many different angles. Logically, on his own tracks he turns the mixing desk into his favourite musical instrument. Easily, he uses it to cross deep dubby basses and beats from reggae, dubstep, hiphop and funk with electronic detail, sophisticated echo-artistry and a subtle sparkle of live bits from guitar, bass and keys. And just as easily, he makes it combine old-school gear like fx pedals, preamps and compressors with modern space-age electronic equipment, tweaking it all until he makes the dubby magic happen.

And since the mixing-desk is the place where the magic comes from, Dubsalon's laid-back psychedelic trips are a perfect example of that what used to be a way of viewing life really is a universal principle that is also applicable to creating really exciting music: it's all in the mix.

An echo is ... an echo is ... an echo. And sometimes it's something like a musical instrument. It might be rhythmic, it might vary in pitch, and - put to smart use - it might add patterns, beats, even harmonies or the odd psychedelic moment to a track. Ever since Lee "Scratch" Perry first whacked a garbage pan in the Black Ark studio, dubheads worldwide have known and appreciated these qualities.

Being the echo's birthplace, the echo-chamber logically is the temple for Dubsalon in which to celebrate his very own dub-ritual with his iD.EOLOGY debut. Following the old ancestor's motto of "Anything can be dub.", he remains open to the most different influences and easily avoids being reduced to reggae and roots. Next to some sofa-fit bass and a fair lot of echo-artistry Dubsalon's multi-dimensional tracks offer enough space for elements from dubstep, funk, electronica, hiphop, downbeat, lounge and jazz. Effortlessly, his varied sound oscillates inbetween pop and psychedelic, inbetween listenability and limitlessness, electric and electronic, inbetween full-on and far-out. With an audible passion for slick production and just the right pinch of live-elements, Dubsalon effectively cooks all of this into an equally relaxing, rousing and reality-bending concentrate of thick, tasty dubby treacle.

Here to speak the prayers is a brother in faith, a high-priest of dub and a true low-frequency connaisseur: Saetchmo. Be it as a resident DJ of the Berlin #tassebier posse around Kreuzberg's Blogrebellen, be it as the host of his very own weekly Echochamber show: saving bassjunkies like us from cold turkey through extra classy DJing skills is his everyday routine. Saetchmo was kind enough to sprinkle some of his magic over Dubsalon's tracks, and has mixed them down into half an hour of headnodding, trippy goodness.

So obviously, just like the echo itself, this album comes in and with plenty of different facets. What it really has in common with the echo, though, is another thing: you'll listen to it again and again ... and again ... and again.

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review

Pete Cogle:

I first heard Dubsalon at ReggaeDubWise and immediately fell in love with his dub. When I heard from Volker, over at Id.EOLOGY that Dubsalon was making and album, and it would come out on the netlabel, I knew that would be something to look forward to.

That time has now come and Id.EOLOGY presents Durban Chamber: an 8-track album featuring some of the best dub you’ll hear coming out of Argentina.

There’s nothing minimal or dubtech going on here. It’s full-phat dub, from a master. As soon as you hear the driving bass of In A Dream, you know you’re going to be “in the zone” for the duration. Shifting Mood, lives up to it’s name by synthesing bleepy electronica, accordion and wobbly bass drops.

There are the typical dubby vocal samples spread through the album, but essentially the album is instrumental. Although staying true to dub throughout, Dubsalon plays with dubstep, downbeat, electronica and jazzy influences. Yes, there’s harmonica, yes there are bleeps and echos, but this is true “magpie music”, and every track brings in a new influence.

There’s a surprising lack of a Latin American feel, considering Dubsalon comes from Argentina. Not to say that it’s missing entirely, just subdued. By the time you get to the last track, From The Sea, there’s a definitely a “watery” vibe going on.

Not content with 8-tracks, the album also contains an additional 7-track mix put together by Saetchmo. He is of course the resident DJ of the Berlin #tassebier posse from Kreuzberg Berlin’s Blogrebellen, with whom I had such a great time when I was last in the city. Not only that, but producer of the weekly Echochamber show, which is a must for all dub-heads.

So, have I said enough? Have you downloaded the album yet and plugged it into your ears? What are you waiting for?

LISTEN AND DOWNLOAD ALBUM HERE